There is usually always resistance to any given endeavor, good or
bad. I am still awaiting the arrival of the sodium bisulfite for the
clearing bath needed to clear the dichromate stain from the gum prints.
Can't do much until it arrives. I also continue to wait for my printer
repair, having a new print head installed. After almost two weeks, and
two new print heads ordered and installed, both proved to be defective.
The nice man at my computer shop soaked my old print head overnight just
in case it proves effective in clearing up the black nozzle, which is
the one not firing. Time will be the arbiter of how that turns out.
Without
means of clearing the two finished gum prints, and no printer to print
new negatives, I reprinted two Kallitypes that I've been working on for
the Arizona Portfolio. Both negatives for these images were printed
after the problem with the print head, coming out too thin to be
functionally viable for silver printing. The Kallitype process enhances
the outcome adding a bit of contrast and deepening the blacks. A coating
error on my part showed up in the one print in the form of an area
where the sensitized solution wasn't fully coated in one circular area.
Center of the lamppost of course. Both of the negatives for these images
will be reprinted once I have a functioning printer again.
When
photographing Tombstone proper, for this portfolio, I have taken much
care in capturing the historical aspect of the town, hopefully capturing
some of the local participant actors representing characters of
historical nature as well, without the inclusion of modernity when
possible. That required several trips to Tombstone, spending hours in
patient wait for just the right moment to accomplish this task. It was
worth the wait, as I have over a dozen images to print for this
portfolio, along with a few images from the historic town of Jerome,
Arizona.
Palladium toned Kallitype
"Main Street Tombstone" ~ 8x10 (unfinished print)
Tombstone, Arizona
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